The Dead Sea Projects (1982-present) comprise the body of works for which Gordon is best-known. The embryonic shape of the landlocked body of salt water located amidst the birthplace of the Judaeo, Christian and Islamic traditions has become her eco-feminist archetype manifesting itself in paintings, drawings, sculptures, performance and sound art. Being the lowest place on the dry surface of the planet makes it the closest we can stand to the Earth's center, granting spiritual significance. Since the 1960s the Dead Sea has been fluctuating in a state of environmental crisis, dramatically shrinking and at times receiving less than four inches of rainfall a year. The artist believes in the regenerative powers of art and science to bring healing to the planet as manifested in her works. For Gordon, the Dead Sea is a symbol of birth, death and regeneration: it is a theory of everything.
Dead Sea: A Theory of Everything
The Gates of Paradise
The Gates of Paradise
The Dead Sea in a Rainforest
The Dead Sea: Procession in the Rainforest
The Dead Sea Circus
Dead Sea Circus, Air. 4x5 feet, acrylic on canvas. 1997
Dead Sea Circus, Fire. 4x5 feet, acrylic on canvas. 1997
Dead Sea Circus, Earth. 4 by 5 feet, acrylic on canvas. 1997
Dead Sea Circus, Water. 4x5 feet, acrylic on canvas. 1997
The Dead Sea Casino
Dead Sea Casino. Mixed media on paper. 2012.
Dead Sea Casino Installation Shot. "Vanguards and Visionaries" at Leedy-Voulkos gallery. 2012.
Dead Sea Casino Installation Shot. "Vanguards and Visionaries" at Leedy-Voulkos gallery. 2012.
Salt Crystals